Whether the combination among cine equipments, the interaction between time and space, or the relationship between cinematographer and objects, above of all, could be the next exploration of DZOFILM. The concept of DZOFILM is to explore more possibility and incorporate it into daily filming and thinking. The built-in 4-stop Hybrid Image Stabilization allows for handheld shooting, counteracting. DZOFILM try to witness and benefit from the test of time freely and easily, no matter the core or the external. The EF 100mm f/2.8L Macro IS USM has a true macro magnification ratio of 1:1, a versatile lens its perfect for both portrait and macro photography with a fast, fixed aperture for shallow depth of field with beautiful bokeh. Balancing the harmony between aesthetics and utility, we keep the products compact and versatile. But while the likes of Nikon, Sigma and Sony have all made resolutely conventional macro lenses in the 90-105mm range for full-frame mirrorless, Canon has thought differently and added some intriguing new features. Cine lens, as an object nurtured and cultivated by optical technology, should try to be the best of all possible in design. After all, the RF 100mm F2.8L Macro IS USM is named almost identically to its DSLR predecessor, the EF 100mm f/2.8L Macro IS USM. Adhering to the spirit of brand, DZOFILM dedicates to eliminating complication and superfluities in the products and services, leading you to a swift and fast workflow.įast fashion would be gone but classics remain permanently. Under this situation, we hold the view that the brand gene of DZOFILM includes each person's opinion and idea.Īt this moment, it is because the scene through the lens just fits well with our ideal. Protects the front lens element from accidental damage. A high-quality lens hood designed to reduce the risk of flare. Young but vigorous DJ, geek of extreme sports, courageous adventurers, cartoonist, five-star chef, aircraft commander etc. Compatible with the Canon RF 100mm F2.8L Macro IS USM Lens. Different creators in different fields would generate new value and experience. Additionally, as an L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement conditions.The spirit of a lens depends on those who manipulate them. Best Macro Lens for 4/3 Cameras: Samyang 100mm f/2. In regard to its optical assets, one ultra-low dispersion element is featured, to control color fringing and chromatic aberrations, and a Super Spectra coating has been applied to suppress flare and ghosting for improved contrast and color fidelity. Next lets take a look at a smaller format lens, Canons super 16 zoom, the 8-64mm. Also contributing to smooth and intuitive handling, a ring-type USM and internal focusing design offers quick, quiet, and accurate autofocus performance along with full-time manual focus override. ![]() Complementing close-up shooting, an Image Stabilizer is featured that minimizes camera shake by two stops at full 1:1 magnification, or up to four stops at lower magnifications for sharper handheld shooting. ![]() As a macro lens, however, this 100mm offers a life-size, 1:1 maximum magnification and an 11.8" minimum focusing distance. The 'angular velocity sensor' used in conventional systems cannot compare with Canons new Hybrid IS system, which incorporates an additional acceleration sensor to compensate for camera shift the result is notably sharper and crisp images. Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects.
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